Sound in a clip
Record sounds per cut, talk over the film, and import your own music. All sound is yours.
Clips carry three kinds of sound. + Sound sits on each cut’s row. + Music is the chip on the strip’s header, and a door on The whole clip . + Talk over it is a door on The whole clip too. One law covers all of it: every sound is yours. Your microphone, your recordings, your music files.
Sound: one effect per cut
+ Sound on a cut’s row records one effect for that cut. Tap it, hold the record button, make the noise: a knock, a meow, a “boing” from your own mouth. The sound plays when its cut plays. Every cut can carry its own.
Talk over it: narration
+ Talk over it, on The whole clip, records over the whole film while it plays, like narrating a home movie. Takes are kept: record another pass and pick the one you like.
Music: your song, on the beat
+ Music imports a song from your files, or records one from the microphone. Once a song is set, the header chip shows the tempo. The music card holds Volume, Swap, and, for imports, Tap the beat: tap along with your song a few times and the clip learns its tempo.
With a tempo known, every cut’s hold flips from seconds to beats (♪), so cutting lands on the music. The scene’s
On-the-beat movesfollow the same tempo during playback, so the whole film bobs with the song.
In the export
The whole mix (music, per-cut sounds, narration) rides the video export . GIFs are silent; they are GIFs.
Recording asks for microphone permission once, on the device, when you first record.